Project UnLonely Films Season 8
Disappearing Man
Noah David Smith
Disappearing Man is an intimate film portrait of TriBeCa artist Robert Janz – whose ephemeral, streetscape water paintings reflect on the impermanence of the artist’s own life.
This film contains scenes or descriptions related to death/end of life. May not be suitable for younger audiences. Viewer discretion is advised.
About The Film
Watch this video to hear from the filmmaker about their film, what they hope people will take away from it, and how they think films can connect us.
Meet the Filmmaker
What is their why?
Noah David Smith is a photographer and filmmaker whose work captures the quotidian beauty of our ephemeral world. His technique is deeply rooted in city streets, rural landscapes and portraiture, and resonates a distinct sense of mood, place and metaphor. His films have been screened at the Museum of Modern Art (Director/Cinematographer), Camden International Film Festival (Director/Cinematographer), Woods Hole Film Festival (Director/Cinematographer) the Tribeca Film Festival (Cinematographer), Sundance (Cinematographer).
Elizabeth L. Smith is an ardent admirer of stories about love, shared truths and loss. She develops, produces, story-edits and directs commercials, documentary shorts and episodic shows. Elizabeth is also dedicated to providing companionship, empathy and support to those in need as an End-of-Life Doula and volunteer Crisis Counselor.
“Disappearing Man is an intimate film portrait of TriBeCa artist Robert Janz – whose ephemeral, streetscape water paintings reflect on the impermanence of the artist’s own life. I first encountered Robert at dusk, with his threadbare shirt and translucent skin, carrying a jar of pennies for those less fortunate. He struck me as a spectral spirit – already on his way to another land. He was happy to be photographed. He told me that he was working on his most important artistic project. My impulse to make Disappearing Man came from Robert’s honesty about his decline, and the way in which his health and his artwork mirrored each other. As Robert’s health allowed, he ventured down the many flights of stairs to the streets below his apartment and painted his “most special words” with water on the brick, stone and concrete immediately surrounding Duane Park. Aware of his physical decline and imminent death – Robert created works of art that reflected the exact state of his life and philosophy. As a portrait-based photographer and filmmaker, I saw a film about Robert, and his messages of creativity, compassion and love for life, as an opportunity to help us all wrestle with our individual existences and our eventual mortality. As a filmmaker, I collaborate with individuals to capture their truths and experiences. I believe shared stories – and their embedded experiences, emotions and knowledge – strengthen the collective fabric of our community.”
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Just so touching! Such existential clarity.
I love this film…but I have no idea why it has a parental warning. Death is not a dirty word.
Thanks for your comment! We agree that death is not a “dirty word.” The content warnings we provide are meant to help people who may wish to avoid topics that cause duress. Content warnings helps people make choices that are best for them. We’re so glad that you love this film – we love it, too!